Thursday, November 15, 2012

Review #9: The Hunger Games by Suzanne Collins


Title: Collins, Suzanne. The Hunger Games.  Scholastic Press. 2008. 374 pages. ISBN 978-0-545-31058-1
Genre: Fiction/Science Fiction
Reading Level/Interest Level: Young Adult
Awards: ALA Notable Children’s Books 2009

Series: The Hunger Games
       ·         Book 1 : The Hunger Games
       ·         Book 2: Catching Fire
       ·         Book 3: Mocking Jay
Similar Titles: Breathe by Sarah Crossan,  Ashfall by Mike Mullin, Solarbabies [DVD] by Metro-Goldwin-Mayer

 
After the great war, the United States became the 12 districts of Panem. Each district is strictly controlled and rationed, has distinct boundaries and functions and there is no travel between them, that is unless you are an official or solider of the Capitol or a tribute in the Hunger Games.

 Every year, in order to maintain control and remind the nation of their power and the defeat of the districts during the war, the Capitol requires that each district supply 2 tributes, one girl and one boy, 12 or older, to fight to the death in the brutal and gruesome Hunger Games. 24 go into the arena and only one comes out as they fight their way through genetically modified beasts, unpredictable conditions and deadly opponents. In order to save her little sister from this fate, Katniss Everdeen, volunteers to take her place.

Skilled in basic survival and bow hunting, though such skills are strictly forbidden, Katniss goes on to surpass even her wildest expectations as she becomes known as “The Girl on Fire.” Can she go on to learn all the skills she needs to survive? Can Katniss outsmart the other tributes, become likeable and gain the support of the sponsors who can keep her alive? What will she do about the growing attachment between herself and her fellow tribute, Peeta? Is it real and how does it affect her relationships back home? Can she thumb her nose at the Capitol while still protecting her family? No matter what she does, she will undoubtedly change history.

The Hunger Games  is the first volume of the wildly popular series and motion picture of the same name. With a theme of dystopian society and the topics of starvation, survival, brutality, violence, protestation, death, love, loyalty and tyranny explored, this series is most appropriate for young and older adults, though many tween readers have ventured through its pages, in large part due to the popularity and press received by the books and film. It is advised that younger readers discuss the content with adults so that they can better understand the topics and the reasons for the content and behavior of the characters. With the right guidance, The Hunger Games can be a very educational tool when compared to World History. For older readers, they’ll simply be unable to put it down.

Review #8:The Mostly True Story of Jack by Kelly Barnhill

Title: Barnhill, Kelly Regan. The Mostly True Story of Jack. Little Brown. 2011. 323 pages. Tr. $14.49. ISBN 978-0-316-05670-0
Genre: Fiction/Fantasy
Reading Level/Interest Level: 5.5 /Grades 5-8
Awards: None
Similar Titles: The Green Man: Tales from the Mythic Forest edited by Ellen Datlow & Terri Windling, The Lightning Thief by Rick Riordan, A Wrinkle In Time by Madeline L’Engle


Jack has never felt like he belongs. In fact, he often feels like his family forgets he is even there. That is, until the day his parents decided to divorce and his preoccupied, executive mother take him to live with his Aunt and Uncle in rural Iowa. As if his life wasn’t strange enough to begin with, odd things begin to happen, the moment he attempts to enter their home whether from the tremble of the house boards, Nature’s measurable reaction to his presence,  a relentless itch, his parents forgetting his name, the cats that monitor his every move, or the legend in the town regarding the disappearance of children.

 For a 12 year boy that never had friends and didn’t believe in fairy tales, he is given a rude shock as his eccentric aunt and uncle try to enlighten his mind with the mystical truth and the seemingly paranormal circumstances surrounding his life. Hoping to write them off as nutty kooks, he has no choice but to begin to believe that there might just be something to these occurrences when his first real friends show him first hand proof that something is not right in their town and whatever it is, is dangerous. If he wants proof, he just has to look at one of the twin’s disfigured faces, the scars which turn redder the closer the danger comes.

 Whether battling the town bully, or trying to save his Uncle and Aunt’s house from the biggest man in town and his ulterior motives, Jack finds these are the least of his problems as he is thrust into a world that he finds he has no reason to accept if he is to find his true identity, his real mother and the truth behind unavoidable changes.

On a personal note, when I picked this book up, I wasn’t quite sure what to expect. It looked like a mystery but what I found was mystery, science fiction and mythology, relying heavily on tales of the Greenman and Earth Mother. The characters were wonderfully complex and the story written so that you didn’t know whether you were supposed to love them or hate them when you met them, and for a solid chapter afterward.

This reminded me very much of The Green Man: Tales from the Mythic Forest, a collection of nature related short stories featuring heavily on Green Man, changeling and forest myths. Green Man also happens to be one of my favorite books that I read over and over again. Jack reminded me so much of it, as a matter of fact, that it ended up on my Christmas list. If you have ever felt like you don’t belong, that there are secrets in nature that could be unlocked, and want a cerebral but easy to read fiction experience, do yourself a favor and pick up this book.

Review #7: Gravity Falls by Alex Hirsh [Disney Channel]

Title: Gravity Falls [Television Program]
Produced By: Disney Channel
Rating: TV G
Genre: Fiction/Science Fiction
Reading Level/Interest Level: Grades 3 & Up
Awards: None

Similar Titles: Phineas and Ferb [Disney Channel], Pokemon [4Kids Entertainment]


While many kids are sent to camp during the summer, 12 year old twins, Mabel and Dipper Pines, are sent to live with their eccentric great uncle, Stan, who runs an oddities shop for tourists in the small town of Gravity Falls, Oregon. It isn’t long before the complex, pop music loving Dipper and the perky, nutty Mabel discover that the sleepy little town they thought they would be bored in has become the most exciting, mysterious and magical place there is. From shrinking flashlights to “Men-o-taurs” and bigfoot, copiers that replicate humans that dissolve with water to Gideon,  the crazy, child psychic and self-declared mortal enemy of the Pines family to magic books, Gravity Falls is anything but dull.
 
While it is not to be mistaken for education programming it is incredibly fresh and immensely entertaining. I found myself going from a position of skepticism and potential disapproval to one of absolute adoration, just like my six (going on 30) year old. With paranormal subjects, myths, urban legends and cryptozoology, first crushes, sibling competition, unconditional acceptance, typical tween issues about growing up (like fitting in and being yourself) and love in a non-traditional family, not to mention gritty and complex characters, like the comically dysfunctional Grunkle Stan, there is not a single animated television show to compare it to.
 
While some may disapprove because they think that some of the crazy behaviors might be out of line or objectionable, I like it because it goes beyond the norm, pushes the envelope but presents the material in an age appropriate matter and shows that life can be a little crazy, unusual and unexpected but what matters at the end of the day is those that stand behind you, your family.

In this reviewer’s opinion, Gravity Falls knocks it out of the park and is absolutely not to be missed, especially for those that like a little levity to their mysteries.

Tuesday, November 13, 2012

Review #6: Bud, Not Buddy by Christopher Paul Curtis


Title: Curtis, Christopher Paul. Bud, Not Buddy. Delacorte Press. 1999. 245 pages. Tr. $14.46. ISB N 978-0-385-32306-2
Genre: Fiction/Historical Fiction
Reading Level/Interest Level: 5.5 / Grades 5-8
Awards: Coretta Scott King Author Award 2000, Newbery Medal 2000, ALA Notable Children’s Books 2000
Similar Titles: Roll of Thunder, Hear Me Cry by Mildred D Taylor, Jessie’s Mountain by Kerry Madden


 

Orphan Bud,  has dealt with the abuse of a foster family for the last time. He decides to cross the state of Michigan in any way possible to track down the man he believes to be his father, based on the few pieces of evidence his mother left him: band posters for H.E. Calloway and a handful of special rocks. During the Great Depression, an African American, ten year old boy is hardly inconspicuous and Bud knows he can trust no one. Staying in shanty towns, eating in missions, attempting to hop railroad cars through lines of armed policeman, Bud will do anything to find his father. When Bud reaches his destination he rocks the lives of every person involved and discovers a secret that no one could have anticipated that will change all their lives forever.

 In a time when African Americans were deeply prejudiced against and had limited rights to education or property, Bud’s character is refreshingly witty, well spoken, respectable, talented and good. He shows that determination, hardwork and perseverance can get you to your dreams, as long as the hardships don’t weigh you down forever and just how influencial African Americans were on popular culture. He also shows that while he may be an orphan and of a different demographic than that of his reader, his experiences transverse the divide and show relevance for every adolescent searching for meaning and their place in life.

 A great independent read, this book is definitely recommended for group discussion. So many individuals will have difference experiences with the content of this book that a higher consciousness can be attained by critical thinking and analysis in a group setting.

On a personal note, as a jazz and historical fiction enthusiast, I loved this book. The perspective of a child during the time of the Great Depression, let alone an African American orphan, was phenomenal to read. The characters are rich and  full and pop out of the page like they're standing in front of you. Relating to the character even though he is a different age, ethnicity, and familial background was no problem because of his personality and his ethics. His decisions made sense and his qualities admirable. This was probably the best surprise read I've had all semester. I highly recommend it. Just make sure you remember, it's Bud, not Buddy. *wink*

Review #5: The Giver by Lois Lowry


Title: Lowery, Lois. The Giver.  Dell-Laurel Leaf. 2002 [Reprint]. 179 pages. Pb. $6.99, ISBN 978-0440237686
Genre: Fiction/ Science Fiction
Reading Level/Interest Level: 6.0/ Grade 5-8
Awards: Newbery Medal 1994
Similar Titles: Gathering Blue by Lois Lowry, Messenger by Lois Lowry,  Son by Lois Lowry, The House of the Scorpion by Nancy Farmer, Hunger Games by Suzanne Collin, 1984 by George Orwell.


 
 
During the Ceremony of 12, where adulthood and vocation begins, Jonas is singled out from his fellow (former) Year 11’s, something that simply doesn't happen in this equal society. The single highest honor is bestowed upon him. He is to meet with the all-knowing giver to be trained to become The Receiver.

 
In his perfect world, everything is tightly controlled. Pain is quickly stamped out. Illness is nowhere to be found. No one sees color or hears music any longer.  Everyone has a designation, little uniqueness,  precision of speech which eliminates emotional context and everyone has their job to perform. Aberrations are “released” from the community, so as not to negatively impact its operation. Everything is utilitarian and peaceful, genetically engineered or biologically suppressed after the failure of many generations previous to reach a beneficial society.  The problem is that while the rest of the community is blissfully ignorant of pain, passion, hunger, and uniqueness, The Receiver is not.

 
The Receiver is the individual that stores all the memories of past generations. Everything that the current population cannot see, hear, taste, smell or experience, The Giver must, as if through a 6th sense. He must store those memories of millions of people and experiences, war, famine, love, home, pain, disease, in case the day arrives that the community finds themselves in an unusual situation and need previous wisdom and council. The Receiver feels. He understands now what was, what could be, and what is being stolen from his fellow citizens. He comes to understand suppression and wants to give these memories and experiences back to the people he wants to save with the help of The Giver, the only other person who possibly knows what he knows. But how?

 
The answer is simple, he must leave. Jonas must run away, a crime punishable by “release.” Will he sacrifice his own position, safety and secure future for the unknown, in order to release the memories, good and bad, that his people have the right to share? Will he take that chance to save one more innocent life?

 
This book is often used in Fourth and Fifth grade curriculum and can benefit from group discussion on dystopian societies and the repercussions of tyrannical governments and the homogenization of the species. Not only does it impart what is truly important in life, but it shows the benefit of uniqueness and the difficulties that arise from sameness and apathy and what can be improved in our own society and laws. A great entry way into protest literature, such as The Hunger Games,  1984 and later, Animal Farm, The Giver allows the reader the opportunity to mature with the character while questioning their own ideas and ethics and understanding the importance of government but also the abuses that can arise from absolute power.

Review #4: Bridge to Terabithia by Katherine Paterson


Title: Paterson, Katherine. Bridge to Terabithia.
Genre: Fiction
Subjects: Death, Belonging, Best Friends, Grief, Hidden Talents, Family
Reading Level/Interest Level: 5.0/ Grades 5-8
Awards: Newbery Medal 1978, ALA Notable Children’s Books 1978
Similar Titles: Freak the Mighty by W.R. Philbrick
 


Ten  year old Jess is a hard worker, doing daily chores on his family’s poor, rural Virginia farm, the only boy in a family with five children. He milks the cows, collects the eggs, drives fence posts and tends to his baby sisters. Oh, but if only he could share with his family, especially his father, his secret passion for drawing and being the fastest kid in his class. But he knows they'll never understand.
 
Tormented by girls, whether the school bully or his older and younger sisters, Jess feels like he will never fit in, unless he can win the daily races in the schoolyard. That is, of course, until he is beaten …… by a girl. New to town, from the big city, Leslie too feels like an outcast, with her unconventional clothes, hair, attitudes and parents. Soon, all bitterness aside, these two misfits are thick as thieves, creating a magical world all their own in the forest near their houses, the mystical kingdom of Terabithia. Leading their subjects with bravery, courage and honor, they extended their hearts and imaginations to work through their problems together and truly learn what it means to belong and be loved unconditionally.
 
The closest he could ever conceive of being soulmates, Jess is devastated the day he finds that Leslie, secret in hand, has suffered a terrible accident trying to reach their kingdom alone. Lost and confused, Jess struggles to adapt, grow and go on, living his life outwardly and proudly, as Leslie would wish, though he must do so without her by his side, and unsure that he can ever step foot back in his beloved Terabithia or touch the beautiful paints she gave him again.

This book deals with grief, loss, fitting in, adolescence, bullies, inspiration, relationships, family dynamics and so much more. Any reader, whether young and old, will find themselves transported into the land of Terabithia through their own experiences with loss and feelings of not belonging, lonliness, fear, and not being able to express who they are fully. But if read during the tween years, where everything is changing so fast, the poigniancy is most powerful. Beautifully written and a fast read, Bridge to Terabithia will take you on a roller coaster of emotions and hope and is a must read. Just make sure you have a box of tissues handy for the end.

Monday, November 12, 2012

Is It A Tween Novel?

The Giver vs. The Hunger Games "These are both stories that deal with dystopian futures - and they are both read by readers younger than the original intended audience - The Giver through use in classrooms (i.e. 4th & 5th grade) and Hunger Games through popularity. Are these tween books? Should they be read with guidance (book club?) Or does the dystopian future mitigate this concern? You can argue that The Giver is, and Hunger Games isn't - be specific, and refer both to books and readings to this point."

I believe that The Giver is, far and away, more of a tween book than Hunger Games. Both take place in a dystopian society, this much is true. However, The Giver is tightly controlled emotionally. The members of society don't feel as they should, don't see as they should (colors) or hear as they should and society was designed that way to create what they thought was a more healthy and peaceful society. They don't even fear death, but simply call it "release", which offers almost a sense of relief and naivite. Because of this, and because the lead character, Jonas, isn't in immediate physical danger or serious and constnat fear for his own life, throughout the majority of the story, it is easy to assess the society as a whole rather than being tranferred into the terrifying reality of the main character living or dying while disassociating emotionally from any potential attrocities or injustices.

However, The Hunger Games doesn't offer that same kind of respite. The main characters are in a battle to survive on a daily basis. There is talk of starvation and hopelessness, entire communities on the brink of collapse because of lack of resources and basic necessity, where bread becomes a luxury item and to accept additional rations from the government means more and more chances that you could die brutally as a consequence. The major difference is that Hunger Games is constantly high emotion, where the reader is constantly engaged and invested in the characters and unable to detach emotionally. That is one of the main elements that makes this book so good and so popular and why it was turned into a motion picture (though The Giver is currently being developed for the screen as we speak). It's a nail biter with relatable characters struggling every day to stay alive, to learn skills that make them valuable and to change the dysfunctional society that keeps them all living in fear under the thumb of tyrrany.

Jonas, in The Giver, really only makes one, or arguably two, meaningful relationships in his world, though his life is the communal ideal of external developmental support assets (adults actively engaged in supporting and helping the child, open communication, supporting the community, feeling safing,boundaries, high expectations, etc) . His deeper relationships with The Receiver (External Assets #3: Other healthy adult relationships) and with the baby Gabriel, change everything but only after he stops taking the pills that would control his urges and emotions. These relationships, though still somewhat shallowly explored, are where the real meaning of the story comes from and through which Jonas learns to question the way things are and learns who he is and what he must do. He yearns for that feeling of home and of connecting to other humans like he has been discouraged from doing his entire life. He wants to develop internal assets, such as positive identity, positive values and social skills, like understanding and appreciating differences and sticking up for what you believe is right.

Hunger Games, on the other hand, has meaningful relationships from the get-go. Katniss has her little sister, Primrose, to look after and protect, a tenuous and questionably romantic relationship with Gale and the protective but disappointed relationship she has with her mother. Protecting the only family she has is a driving force for her actions, even when she rages inside to fight against injustices. Only when she is forced into the arena, forced to fight to the death which other children, watching alliances form and disolve with bloody intensity, being forced to question everyone's motives and who she can really trust, does she begin to form attachments to other people, like Rue and Peeta. Even then, she constantly questions her relationship with Peeta, whether she really has feelings for him or not. It's tumultuous, and painful, constantly developed and constantly in your face. She has no sense of safety or major communal support, and very few healthy relationships with adults. Her journey is about finding those assets, external as well as the same internal assets Jonas seeks. There is no ignoring those emotions and they make it easy to empathize with a character that feels so deeply and is forced to keep it hidden, because many of us feel the same way, even if we aren't fighting against a capitol force. It makes her actions seem much more reactionary out of primal necessity, where as Jonas's fight seems more cerebral.

Reading with guidance is always a good idea with young readers. If a tween is to read Hunger Games, there can be no doubt that discussion needs to be had so that they can understand the content, and the violence, and understand the reason and right behind Katniss's fight, instead of simply believing it to be a story that relays that all authority is bad and must be fought against with brutality. They need to be able to analyze the setting and how it relates to their current situations and how things are different as well. They need to be able to truly analyze the book critically instead of accepting it for face value. This is the reason, I believe, that The Giver is used in curriculum. The associated discussions and activities that will accompany the reading of this book help explain the context and content as well as how it applies to students' lives and teaches them how to analyze the text and the concepts.

I picture it like this in my head. Every story, as you read it, develops into a sort of map or storyboard in your head as the story progresses. Picture this map or storyboard on a transparency. The unguided reader takes that transparency and lays it over a map of their own world, points at the result and says "same". Whereas, the guided reader, after discussing all possible points and arguments for and against the book and its content, allows the reader to pull apart that construct, that transparency, and lay pieces of it over the map of their own world to where it applies, instead of using it like a blanket. That dissection allows each one of us to evaluate similarities and differences and come up with ideas on how to make our own worlds better places, to determine our own morals and ethics and those that are carefully constructed in the laws that govern our behaviors. Some might even say that this critical thinking is the beginning of social activism and responsibility.

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